![]() ![]() To anyone who's grown up learning music simply by listening to records and learning to play an instrument by ear, or programming parts on a piano‑roll editor, the idea of learning musical theory can seem dry and off‑putting, or even daunting. Before you assume that there's some polish you can add using plug‑ins, then, it's well worth considering whether the track might benefit from musical changes. The possible answers to those questions may lie in recording and production techniques, or they may be musical - and the ways in which these answers might interact are endless. What can I do to make it sound less predictable? ![]() We've sat in our studio with a sequencing project open, and pondered on one of these questions:Ģ. But a surprising number of the reader demos that are sent in to SOS Towers fall down at an earlier hurdle - the music itself. There's plenty of head‑scratching to be done when choosing recording equipment, and helping you to choose and use your gear is what makes this magazine tick. Even a basic understanding of chords, melody and harmony can help your dodgy demo become a polished production.
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